Watching Bi Gan’s “Resurrection” is like being trapped in a dream machine that, in one room, plays “Twin Peaks: The Return” Episode 3 on a loop, and in the other plays a marathon of the entire history ...
This is read by an automated voice. Please report any issues or inconsistencies here. One of the downsides of our movie-mad filmmakers — the Quentin Tarantinos who happily plunder from cinema’s ...
The director of ‘Long Day’s Journey into Night’ returns to Cannes with a century-spanning movie-tale made in the cinematic style of five different epochs. By Jordan Mintzer One of the most audacious ...
The Chinese director Bi Gan, who has become a lauded fixture on the festival circuit, conjures a boundary-pushing tale that evokes moviemaking itself. By Manohla Dargis When you purchase a ticket for ...
“Resurrection,” a magnificent intoxicant of a movie from the thirty-six-year-old Chinese director Bi Gan, is no ordinary love letter to cinema. It’s more like a love labyrinth—a multi-tiered maze, ...